NPR just published a recent interview by Nate Chinen about Bordeaux Concert, where Keith talks about the upcoming release, other concerts from the same tour, and his current health, among other things.
“Part III” (from the album) as been released on YouTube.
Thanks again to Matthias for the link.
A recording of the July 6, 2016 solo concert at L’Auditorium in Bordeaux will be released on September 29, 2022 (including on CD and vinyl).
The tracklist is as follows:
Thanks to Matthias for the information.
Downbeat‘s April 2022 issue includes an article about Facing You, “Jarrett’s Seminal Facing You Turns 50”, written by Paul de Barros.
Thanks to David for the information.
A 23-minute interview with Dennis Russell Davies about his collaborations with Keith Jarrett was broadcast by MDR Klassik, a German radio station, in early December 2021.
“When Dennis Russell Davies talks to Keith Jarrett – on the phone or at Jarrett’s home – they look back fondly on concerts they’ve played together and on great moments at his home, where the musician still lives.” (DeepL translation)
Davies has visited Keith Jarrett several times since his stroke. As we know, Keith has lost most of his ability to play the piano. He won’t be able to play in front of an audience anymore, but he’s still playing for himself. Davies witnessed Keith improvise on the piano, playing only with his right hand. Davies was enthusiastic about it and hopes that Keith will compose new music in the near future.
Thanks to Arnulf for the link and the summary of the interview.
Yet another book release I missed. I thought it was only available as a limited edition, but it has actually been available as a regular edition since February 5, 2021. Thanks to Allen for letting me know.
The book is available from ECM, among other places.
“In this series of photographs that I observe with a retrospective gaze, I play with the concept of presence, that one of the body and the one of the instrument, which appear and disappear in the image. The photos are the result of my intimate and objective attention to an artist who I have followed and admired for a long time, but these pictures represent also his response that is conscious acceptance, and above all, participation. His sound, the only one, is made of peculiar music that this series of photographs aims to evoke and make resound.” -Roberto Masotti
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