Forums

Avatar

Please consider registering
guest

sp_LogInOut Log In sp_Registration Register

Register | Lost password?
Advanced Search

— Forum Scope —




— Match —





— Forum Options —





Minimum search word length is 3 characters - maximum search word length is 84 characters

sp_TopicIcon
"J.S. Bach: The Well-Tempered Clavier, Book I" (concert recording) to be released in May 2019
sp_BlogLink Read the original blog post
April 22, 2019
10:47 am
Avatar
Olivier Bruchez
Switzerland
Admin
Moderators

Members
Forum Posts: 309
Member Since:
August 18, 2008
sp_UserOfflineSmall Offline


According to an article on HMV & Books (in Japanese), ECM will release J.S. Bach: The Well-Tempered Clavier, Book I in May 2019. This is a live recording of BWV 846-869, recorded on March 7, 1987 at the Troy Savings Bank Music Hall in New York, not to be confused with Das wohltemperierte Klavier, Buch I, a studio recording released in 1988.

"J.S. Bach: The Well-Tempered Clavier, Book I" cover
"J.S. Bach: The Well-Tempered Clavier, Book I" cover


HMV lists the album with a release date of May 20, 2019 [This is apparently incorrect, see below.]. A UHQCD (Ultimate High Quality Compact Disc) version of the album will be released in Japan on June 19, 2019. It will consist of 2 CDs, each with 24 preludes and fugues (BWV 846-857 on CD 1 and BWV 858-869 on CD2).


Thanks to "tgwhrk" for the information.


Update (May 8, 2019). J.S. Bach: The Well-Tempered Clavier, Book I is now listed on many online stores. Challenge Records, for example, offers more information and sound excerpts. The correct release date appears to be June 14, 2019, not May 20, 2019.

These are performances in which tempos, phrasing, articulation and the execution of ornaments are convincing,” wrote Gramophone of Jarrett’s first recorded account of The Well-Tempered Clavier. “Both instrument and performer serve as unobtrusive media through which the music emerges without enhancement.” In this live recording from Troy, New York, made in March 1987, just one month after his studio recording of the work, Keith Jarrett addresses the challenges of Bach’s great set of preludes and fugues once more. Part of the goal is transparency, to bring the listener closer to the composer. As Jarrett explained at the time: “The very direction of the lines, the moving lines of notes, are inherently expressive…When I play Bach, I hear almost the process of thought. Any colouration has nothing to do with this process.


Thanks to Boris for the link.

Forum Timezone: UTC 2

Most Users Ever Online: 292

Currently Online:
16 Guest(s)

Currently Browsing this Page:
1 Guest(s)

Top Posters:

Jonny J Jonson: 23

Squishy: 17

bonsaitreehugger: 7

KJBerlin09: 6

jazzyjuan: 6

tim1987: 6

Member Stats:

Guest Posters: 0

Members: 1022

Moderators: 1

Admins: 1

Forum Stats:

Groups: 3

Forums: 6

Topics: 292

Posts: 552

Newest Members:

vickent, Marcus, semor, Incipiovcv, angel74392, DavidiofKnora

Moderators: Olivier Bruchez: 309

Administrators: Olivier Bruchez: 309